MPC Live 2 Retro Diary – 6 Days since meeting Saint Alan The Alchemist

0 0

In my week since meeting a Hip Hop producer hero, Saint Alan The Alchemist, I wanted to test whether there was some kinda of energy transfer in the embrace. I headed home, dug out my DJ mixer from 2006, grabbed a vinyl from the shelf and tried to make a sampling vinyl banger using my AKAI Professional MPC Live 2 Retro.

As much as my Sunday sess didn’t produce anything worthy of sharing, aside from this cool picture, I did realise how powerful the sequencer on the MPC is for generating ideas. I tend lose interest once I get a loop as my other production weapons of choice feel restrictive. The MPC workflow is flexible enough to support mute, solo and editing once a sequence is duplicated. Going from a loop to a song feels so much more intuitive than others.

The following 5 days were spent exploring this box of delights pre and post shift, watching AKAI’s playlist on YouTube using the #mpc Live 2 on my lunch break and commutes to and from work. My eureka moment came on Day 4 when I finally figured out how to record vocals into the MPC Beats software, when using the Live 2 in controller mode.

On Thursday, having finished early, I raced home with the intent to record a piece of poetry I wrote, about a gloomy April morning, called Modest in Monochrome. I was going to stay in my comfort zone, which was to open a VST of the drum machine DAW in Logic Pro X, but I decided to break the pattern and stretch myself to learn something different. I’m glad to I took the 5mins to learn how because it means I can decrease my dependence on rerouting across software.

TLDR: How one chance encounter with someone can serve as a reminder to make time to explore your hobbies and interests.